Search This Blog

google.com, pub-5595538044070792, DIRECT, f08c47fec0942fa0
Showing posts with label MOVIES. Show all posts
Showing posts with label MOVIES. Show all posts

Thursday, December 1, 2022

HOT TO MAKE ONLINE BY FEDERAL

 HOW TO MAKE MAKE MONEY ONLINE WITH OUR STRESS STRATEGY!!! 

In this article we will be talking about how to make money online through Google adsense without referring anyone, with our strategies you  will be able to earn $2000 to $10,000 etc monthly, kindly Dm or us for more information 

+2348133862327 


Proof of the least cash out and below is the name of the company you can partner with to earn daily without stress 



Are you looking for or Trying to balance everyday life with the responsibilities of parenthood? These is one of the serious  tough task. Being a parent is a full-time job of feeding, bathing, and playing with your kids can leave you with little free time. Yet parents also need to make an income, hold a job, and work daily in addition to caring for their children. And it’s tough to find a job that allows you to be  both a parent and a professional.Fortunately, today’s technology is making it easier than ever before to work from home. That means moms and dads have new opportunities. As increasing more parents can find flexible work from home online positions. And parents are able to find jobs that allow them to work convenient hours, without needing childcare for thei kids.


If you’re interested in finding a work from home online that suits both your interests and your desire to stay at home with your children, check out these 👉👉👉

Sunday, September 25, 2022

BEDROOM NEGOTIATION EPISODE 3

 He smiled and held my elbow, asking me

to stand up. His dark brown eyes jailed me in his

world. He looks so ruthless and evil. I hate him

.but he is my only hope.

He touched my cheek as his other hand

went to my lower back, pulling my body closer

to him. He brushed his lips against mine once

with a Swift and feather-like kiss. "Maybe we can

talk better when we're already naked in our

hotel room," he whispered before kissing me

relentlessly.

f**k, he mumbled as he broke our kiss.

We were already kissing for so long that it actually

ended up in a make-out session. The Great Porter Dunn is

sitting on the chair while l am straddling him with my

hands wrapped around his neck. His hands are all over

my back and l can feel a huge bulge underneath.

Gosh, is he huge now?

His browneyes found mine with an intense stare. "

We should eat first," he said in a caim voice

bit my lip and nodded. I moved to stand up but he

held my waist. I  looked at him, confused. What does he

want to do now?

I  thought we re going to eat?" I  asked

innocently

He bit his lower lip while still looking at me with his

serious eyes He held my cheek and pulled me closer to

his face. "On second thought, maybe we can spare ten

minutes to make out," he said in a low voice before

connecting our lips once more.

l immediately closed my eyes as I  felt his lips savor

and explore mine like it is his own territary. We have been

kissing for minutes but l am still wondering how he could

kiss this good, His mouth seemed to have its own magie

that it makes my whole body surender

I could feel him smiling when he noticed that I am 

already responding to his kisses. My fingers combed his

hair as he showered me with hot and dee kisses

This is hard. It is so hard to resist him no matter how

many times I remind myself of why l am here with him. I

am here to save our business. And thats the onlly reason

why l am doing this.

But since, this is already inevitable, might as well

just enjoy the whole ride, right?

His hand went up and down against my back as I felt

myself moving into a grinding motion against his hard

bulge. He moaned as my center brushed his

hardness.

His kisses went to my cheek and then down to jaw,

slightly biting me and licking me all at the same time.I

tipped my head to the side to give him more access on

my neck

"Hmmm,"I breathed as I felt him sucking a spot on

my neck.

My hands fisted on his hair as he continued to suck

me hard on the space between my collarbone and my

neck

He grunted as his kisses went down to my chest, to

my cleavage. He cupped my breast as he continued to

trail kisses on my chest. "God, he whispered as he

looked up and crashed his lips onto mine again.

Well, god, I must really be crazy. I must really have

gone crazy

We spent another couple of minutes making out in

front of the empty dinner table until we both decided to

really eat. Yes, and I have a lot of questions to him

regarding our contract too.

"Are you currently studying?" he asked as he sliced

his medium rare steak.

I nodded shyly. f"k, now that we're not kissing

toridly, I am getting shy on him? I must really be crazy."

I'm supposed to be on my last year this year. Fine

Arts"

He raised his brow. He must not have pegged me to

be an artsy person just like everyone in the university.

They only look at me as the only daughter of the owner

of the Grazen Airlines

Most of my professors were really curious as to why

took up Fine Arts instead of aviation or business. As

expected, they all think that an heiress of a huge airline

company must be studying on how to manage business,

not paint some silly abstract stuf

B-but l am planning on taking up some classes in

business so I could help in running our company,

I   added.

Mr. Dun nodded. "You are the director of your

airlines, right?

I nodded.

"But you don't know how to run it..." he said.

I looked at him. He's staring at me with his usual

intense stare. Nervousness crept in me as I swallowed."

that's why l am giving you the position of the CEO

"You have cousins, right? Why haven't you thought

of giving them that position?"

I pursed my lips in a thin line. He's right. "My cousins

are already bosses on their own companies-

I  am a boss of my own company, too, Graziella," he

interrupted.

My lips parted. Of course!

"So, why me ?" he probed.

Because you hold most of the stocks in the

company, next to ours,"I explained.

He c-d his head to the side, thought about for a

moment before nodding. "Good point," he said. "So,

when are you going to introduce me as the CEO?" he

asked

I narrowed my eyes on the glass of wine in front of

me. I haven 't thought about that but I can ask Ingrid, my

secretary-formerly, Dad's, to arrange a press conference

for him.

When do you want?"l asked.

He sat back and I cannot believe how I am so

stunned at his handsome and ruthless face. "I will be out

for a week. I'll be flying to France."

He's going out of the country? Good. I needed time

to think as well.

"You can introduce me when I come back," he told

me.

I nodded. "I will ask my secretary to arrange a press

conference for your appointment."

He looked at me, amused. "Good, was all he

replied.

We continued to eat as my mind was filled with

thoughts about the contract he just showed me. I wanted

to ask questions but my tongue seemed to have not

been active.

"While I am away," Porter Dunn started. "I would

want you to consult an OB for the birth control method

that's perfect for you

My eyes widened at how he could utter that without

any hint of embarrassment. Birth control..he wants 

me to use contraceptives.

The sides of his lips rose. "You should know that I

don't really like withdrawing and coming over anywhere

else other than inside you.


My whole body seemed to have stiffened with what

he just said. It shook my virgin mind. And I don't even

know what I am going to feel about it. So that is why he

said he might or might not wear any condom during our

sessions.

He chuckled lowly. "Don't worry, after tonight, you

won't ever feel shy speaking to me with matters

regarding to sex."

My knees trembled. He must have a wide experience

with this because he is talking to me like he lives with s'x.

Well, I won't be surprised if he's got a long list of women

who would want to share a bed with him in an intense

and intimate night.

Who could say no to that face?

"About the hook up place..." I stuttered.

l'm going to give you the keys when I get back from

Paris," he answered even without me completing my

sentence.

I nodded.

When was your last s'x?" he asked so casually

My eyes widened. f""k. Is this how my mission will

end? If I told him I am a virgin, there is a huge chance that

he would back out of this. But...if I don't tell him now,

he would realize it when we're doing it. And that would

be worse because I lied to him.

I fiddled with my fingers. "I'm..."f**k! "...a virgin"|

said in almost a whisper.

"What?" he asked in an alarmed state. "You're a

virgin?" he asked in disbelief.

l bit my lip and nodded. I prepared myself for his

outburst. He would back out for sure. I would lose our

airlines.I would lose everything my parents worked hard

for.

"fkl" he cursed loudly as I heard his chair

moving

couldn't make myself look at him because l am

scared that he would back out now. I am not prepared to

face that my parents' company isn't going to be ours

now

l am already constructing words inside my head

when I felt a hand hold mine. I looked up and saw Porter

Dunn in front of me, squatting while caressing my hands

softly.

His eyes are so softer than usual. It's as if he's trying to

be gentle to me now that he learned that l am

Virgin.

"Let's go to our room," he said.

"Are you backing out?" I asked.

He furrowed his brows at me. "Why would I back

out?" he asked back.

I frowned at him. "Because I am a virgin...I won't be

able to satisfy you in bed..."

He stared at me, lips parted for a moment. "We can

rectify this situation,," he said as he stood up and took my

hand in his.

We both walked out of the VIP room towards the

hotel's main elevator. I don't know what will happen to

the room that we let behind. We've only been halfway

through our meal

Mr. Dunn laced his fingers with mine. I looked

around to see if there are people watching. Good thing.

we seem to be the only ones in here. We rode the elevator

in silence. He's still holding my hand like his dear life

clings to it

He was silent and I was starting to become nervous

and scared. I know how imposing and authoritative he

could be but his aura right now is different. I don't know

but I feel like he's more intimidating now that he's this

close to me.

I gave him a quick glance and saw him in deep

thoughts. His brows are furrowed and his lips in a grim

line. I swallowed and looked away. My heart is beating

fast as his serious face flashed back in my mind.

I've read a lot of articles about Porter Alejandro

Dunn. He's known as the bad boy in the business world

but he was never pegged as a playboy. I wonder how. All

of the articles say that he's never been in a relationship

well, not that those writers know of

But it does not mearn that he is the person those

aticies are dlaitting him to be. He kisses so good and

he's bliatantty just speaking s'x like it is a casual thing to

talk about He seemed so veteran on this.

Or may be no  one knows about this side of his

because he makes sure that every single girl he f***s have

signed his nondisclosure agreement.

So that's why he's made sure that we don't talk

about our intimate sessions in public

Smart guy

My thoughts were stopped when the lift opened. Mr.

Dunn walled out, tugging me from behind. He's walking

straight ahead like he knows where the room is.

looked around the empty and quiet corridors until

we stopped. 6509 is the room number. Porter Dunn let go

of my hand to get something inside his suit pocket. He

took a keycard and opened the room

l bit my lip as a strong surge of anxiety attacked my

veins. I looked around the room the moment I entered.

Mr.Dunn remained standing, holding the door for

me

It was not simple. There is a living room, a dining

table for four, a kitchen and one bedroom. I don't see the

toilet from where I am standing right now but I guess it is

inside the bedroom.

l almost junmped when l heard the door closing from

behind me. I heard the locks that made my mind go

chaotic. Now, it has finally sunk in me. Porter Dunn's way

of rectifying the situation is definitely me losing my

virginity tonight. But that's what really is going to

happen. So I don't see the difference.

"Take off your blazer," he whispered as I felt his

presence behind me. His breath fanned the back of my

neck that did not fail to send shivers down my

spine.

gulped and bit my lip as I slowly took my blazer off.

f*k it  Graziella! Where is your confidence now, huh? Two

can play this game? Really?

I felt like a tiny kitten at the mercy of a fierce and

dangerous tiger I can't do anything but to oblige. I don't

have anything to do but oblige.

As my blazer fell on the floor, I felt Porter Dunn's

hands around my waist. He's caressing me and it doesn't

make all these emotional turmoil inside me better

"Tonight is the only night I will be this gentle to you,

"he whispered making all the hair around my neck stand

up.

Hell, what does that mean?

He planted feather-like kisses on my shoulder as his

hand rested on my stomach. I tipped my head to the side

as he showered me with wet kisses around my neck.

My breathing hitched as his touch went to my arm,

caressing me slowly and gently while his kisses made

their way to my jaw...then to my ear.

"Baby, I can't wait to bed you..." he uttered as his

hands removed the straps of my dress, pulling them

down to expose my bare chest. "f**k, you're not wearing


bra he asked as he immediately cupped my breasts,

twisting and massaging them

My dress has parking so I  don't need to wear bra,l

wanted to tell him that but my mind just couldn't think

straight right now

He twirled his fingers on my n*****s, making me

moan in pleasure

"You like that?" he asked in his husky and seductive

vOice

"Hmmm.I hummed.

He chuckled lowly as he pushed my dress lower until

it dropped on the floor leaving me alone in my panties."

Hmmm, I thought you went commando, Graziella."

fk.Why would I go commando on him? That

hasn't even crossed my mind-s"t!

Baby, you're wet now?" he asked as he rubbed the

center of my panties. "Did you miss my mouth?"

I let out a deep breath as I felt him inserting his

fingers inside my laced underwear. I gasped when I felt

him rubbing my clit as a million volts of energy seemed

to heve erntered my veins.  I held onto him because l am

losing the feet of my knees with everything that he is

doing to me

" he cursed as he tumed me around and

cashed his lips on mine-kissing me deeply and eagerly

while his hand stayed on my swollen bud.

tongue enter inside my

He bit my lower lip to let his tongue enter inside my

mouth. l gasped and moaned through the kiss because

his fingers picked up their pace

"Oh, god"i moaned as Mr. Dunn removed my

panties, He spread my legs and kneeled in between

them

My eyes widened when I saw what he is doing.

What-ah l couldn't continue what I am going to say

because he is already down there, kissing my bud so

fervently,

Every flick of his tongue made my knees weaker and

weaker leaving me with no choice but I hold on to his

head so I wouldn't fall hard.

His eyes watched me as he sucked my clit. He held

my thighs in place as he licked my slick folds without

stop.

"Oh, god! Mr. Dunn!"I moaned out loud as I felt

something building in my stomach. "Holy--"

let out a breath of relief as I came on his mouth for

the second tieme today Mc Dunm steed up and started to

remove his clothes I watched him as he swittly

unbuttoned his shirt revealing his toned and fpped

torso

God, I knew he was masculine but I never

thought-

Mr. Dunn kissed me and pulled me towards his body.

My body seemed to have heated up with the mere

contact of our naked upper torsos. He cupped my breast

as his tongue traced my mouth expertly. He kissed my

jaw briefly before engulifing one n"e

"Oh..."I moaned as he sucked my m"e like a

hungry baby. He twirled his tongue around it like it's his

favorite candy.

My hands went to his belt and tried to unbuckle it

He stopped what he's doing and looked at me for a few

seconds with eyes filled with unadulterated lust before

helping me remove his pants with his boxers.

My eyes went wide when I saw his huge length, erect

and proud.

You can't back out now," he told me. He must have

seen the shock etched in my face as I saw his whole

length.

"But...it's...you're..I can't even complete my

sentence.

He chuckled and carried me bridal style. "It will fit

you, baby. I 'll try to be gentle..

Try? Damn!

"Mr. Dunn-"

"Porter," he said. "Call me Porter, Graziella..

I  bit my lip as he laid me on top of the bed. He

spread my legs wide and settled in between. I can feel his

length grazing against my heated folds. Suddenly, the

fear l was feeling was replaced with pleasure and

excitement.

"I'm going to inch in now..." he said as he

positioned his tip on my wet entrance. "This is going to

hurt but I'm going to make you feel better later.."

I nodded as I looked into his eyes. He seemed

promising as he uttered those words and l cannot do

anything but trust him.

And boy, he wasn't lying when he said it was going

to hurt. I felt like I was being cut into two as he pushed

his length into my entrance. I whimpered in pain as l felt

him filling me in.

"f"k  You're so tight," he said as he pulled out. I

breathed in relief only for him to enter me once again.

This time he penetrated deeper but I knew it wasn't his

whole length.

He pulled out once again, only to enter once again

until his whole shaft was inside me. He repeated pulling

out and pushing in for a few moments until the pain I

was feeling was replaced with pleasure.

"Don't stop,"I moaned as he started to pick up his

pace.

"s"t," he muttered as he thrusted in and out of me

deeper and deeper with greater intensity as he increased

his pace.

He anchored the back of my knees around his arm,

stretching me even more, to make me feel him deeper

inside.

He groaned as he started slamming in and out of me

hardly. The room was filled with our moans and grunts

and the sound of the bed squeaking as it met the head

board slammed against the wall with every thrust.

"Oh god" moaned as l could feel a familiar

sensation building in my stomach.

Mr. Dunn's face was red as he kept pushing and

pulling in and out of me. The veins in his arms and neck

corded before we came on our earth-shattering release

together.



Sunday, March 6, 2022

TO THOSE THAT WANT TO JOIN NOLLYWOOD

 SO MANY UPCOMERS IN THE INDUSTRY ( NOLLYWOOD) ARE GOING ROUND SOCIAL MEDIA COMMENTING,BOTH ON THE REAL CELEBRITIES HANDLES AND THE FAKE ONES THAT THEY WANT TO JOIN NOLLYWOOD, AND SCAMMERS ARE REALLY TAKING ADVANTAGE OF THIS BECAUSE YOU GIVE THEM THE CHANCE, I WANT TO POINT OUT TWO THINGS THAT YOU MUST KNOW, 



1, NOLLYWOOD IS EASY TO JOIN BUT YOU MAKE IT HARD,

BECAUSE YOU BELIEVE THAT YOU CAN ONLY MAKE IT OR JOIN NOLLYWOOD THROUGH A CELEBRITY, THAT IS WHY FAKE SOCIAL MEDIA ARE OUT THERE TO SCAM YOU, ALL THE CELEBRITIES YOU SEE ARE LOOKING FOR HOW TO GROW BIGGER THAN THEIR CURRENT POSITIONS, SO WHAT MAKES YOU THINK THEY WILL FRONT YOU AND WATCH YOU GROW MORE THAN THEM? YOU MIGHT NOT UNDERSTAND THIS, 

EVERY CELEBRITY DO ACT NEW MOVIES WHEN THEY ARE CALLED/PAID TO DO SO, MY DEAR , DO YOU THINK THEY WILL  BE CARYING YOU UP AND DOWN EACH LOCATION THEY DO GO TO? ONE THING YOU DONT WANT TO HERE IS START FROM SMALL,

YOU ARE LOOKING FOR A PRODUCTION HOUSE THAT THE CEO IS ALREADY A SUPER STAR SO YOU CAN MAKE IT FASTER, DO YOU REALLY THINK THE SUPER STARS YOU ARE FOLLOWING UP AND DOWN MADE IT THROUGH THIS YOUR MIND SET?

I HAVE A LOT TO SAY BUT I DONT WANT TO MAKE THIS POST LONGER THAN EXPECTED



2, NOLLYWOOD IS NOT A BUILDING, ANY PRODUCTION THAT ARE MAKING MOVIES IS NOLLYWOOD , STOP WAITING TILL YOU LOCATE A BUILDING THAT IS BEING DESIGN WITH A WRITE UP ON IT ( NOLLYWOOD ) YOUR TARGET SHOULD BE HOW TO JOIN AN ACTIVE MOVIE PRODUCTION HOUSE NOT EXPECTING THINGS THAT ARE ONLY POSSIBLE IN THE DREAM WORLD, CELEBRITY STATUS IS NOT CHEAP, COME AND JOIN OUR PRODUCTION LET TAKE YOU TO THE NEXT LEVEL IN FILM MAKING, COME AND LEARN WHILE ACTING. IF YOU ARE READY TO REGISTER INTO OUR PRODUCTION CHAT US UP 08116441142

#HOWTOJOINNOLLYWOOD #LAGOS #nollywoodvillage #filmmaking #portharcourt #riverstate #Omoku #pH 

Saturday, February 26, 2022

DO YOU INTEND ON BEING A MOVIE ST★R?

 THIS ARTICLE  IS FOR YOU


Being a movie star in our society (Nigeria) has really become a big deal because we have so many individual out their who claim they are producers and are particularly specialize in scamming others because they have seen how young people are showing Interest and rushing into the Nollywood Industry!!!




 NOW NOTE THAT; 

Being a part of Nollywood is very easy if you would follow and read this article carefully!

Nollywood Is an Umbrella for artist and producers!!! Let me break it down.

Nollywood is a body that compromises of producers, editors, production manager, sound, continuity  and artist e.t.c!!

 Nollywood is a general name of movie producers/artist and all the governing bodies in Nigeria!!

 NOW LEASTEN 

Nollywood as a body or a "Name" doesn't produce movies.....it's the producers under nollywood that produces movies. 

So as an artist you're expected to register under a producer who is legally registered under AGN(Actors Guild of Nigeria) Immediately you re fully registered under a producer.....then you're good to good!!!

 NOTE; 

Each producer is entitled to his/her terms and conditions on how to be part of his production or not!!!! E.g Registration fee, Rules and Regulations e.t.c


_FEW STEPS IN BECOMING A SUCCESSFUL MOVIE STAR_


 _I RECOMMEND O YOU RICHSTAR ENTERTAINMENT_ 


1). Be a registered Member and start acting with RichStar Entertainment Production!!, As Richstar is a registered production under nollywood!!!

2). First of all you must be 20years of Age at the time of application.

3). If you are willing to Join the production and you're a Teenagers (BTW 13-19years old) it must be with the acknowledgement of your parents or guidance!!!

4). Registration fee is 30,000thousand naira only and Two passport!!

5). The Location where they are based and shoot movies from is River State!!!!

*FOR MOORE INFO, CALL📞 Or Chat🪀 the P.M on +2348106389764 or

+2348147751411

Friday, April 5, 2019

Filming your movie part 4


One way to make sure you’ve got coverage is to film a master shot: a long shot or very long shot of all the action. You should also shoot cutaways – details of other parts of the setting. You can then cut back to these shots to cover any problems or gaps when you edit.
If you’ve only got one camera and you’re shooting a drama scene, set up the camera for a master shot in a position that will cover the whole action, then film the actors doing the whole scene, before you film the mid shots and closeups.

If it’s a live event or performance, you’ll need a second camera for this. Set it up on a tripod where it can cover the whole action, start it and leave it running. Remember that SLR cameras can’t record very long clips, so if the event lasts longer than the maximum clip length you’ll need to use a camcorder instead.

If you’re cutting between closeups of two actors talking to each other, film the whole scene with the camera on actor 1, then move the camera round to face actor 2 and film the whole scene again. You can then cut between these two shots, and the cutaways and master shots, when you edit. You can use exactly the same technique for interviews. Remember to follow the rules of continuity so that the shots will work together
 Rehearsing
 
With actors or presenters, you’ll need to rehearse the scene a couple of times before you film it. Get them to run through the scene a couple of times, making any changes to their positions and performances. Then start to work out where to put the camera for each shot. This process is called blocking.

NEXT PAGE

Filming your movie part 3

The filming stage will be a lot easier if you’ve followed the planning guidelines first.

Shooting simple films
If you’re just shooting a record of a place or event you might not need to follow a storyboard or script. But you must have an idea of what you’re going to film, even if it’s just a simple shot list. Make sure you get a variety of shot sizes: extreme long shots to show the place, long shots and mid shots of people, and plenty of closeups of people and things.
Are you ready to start filming?
You need to set up each shot carefully. You may need to move the camera to a different position to get the framing, the light and the background right.
•Check the framing. Make sure you don’t cut out anything important, and that you don’t include anything distracting or confusing.
•Check the light. Look at the shot in your viewfinder or on the screen. Does it look right? If it looks too bright or too dark, can you change the exposure? (set it manually or use exposure compensation).
•Check the focus. Is the shot sharp? If it’s a shallow focus shot, is the right part of the scene in focus?

•Check the sound. Get everyone to be quiet, then listen for half a minute. Can you hear anything that will come out on your film? Is there anything you can do about it? If you can, check the sound on headphones.
•Check that everyone’s
ready. Say ‘Standby’ or just tell people that you’re about to start filming.
Getting everything you need
Coverage means making sure you’ve got all the shots you need for your scene, so there won’t be any awkward jumps or gaps when you try and edit it together.
For short factual items, you can follow a rule of thumb: if you’re showing a person doing something, film a couple of long shots or very long shots to introduce the setting, then make sure you get shots of the person, the thing, and the person with the thing. Always film a couple more shots than you think you need.
Next page:

Wednesday, April 3, 2019

FILMING YOUR MOVIE 2


Coverage means making sure you’ve got all the shots you need for your scene, so there won’t be any awkward jumps or gaps when you try and edit it together.

For short factual items, you can follow a rule of thumb: if you’re showing a person doing something, film a couple of long shots or very long shots to introduce the setting, then make sure you get shots of the person, the thing, and the person with the thing. Always film a couple more shots than you think you need.

One way to make sure you’ve got coverage is to film a master shot: a long shot or very long shot of all the action. You should also shoot cutaways – details of other parts of the setting. You can then cut back to these shots to cover any problems or gaps when you edit.

If you’ve only got one camera and you’re shooting a drama scene, set up the camera for a master shot in a position that will cover the whole action, and then film the actors doing the whole scene, before you film the mid shots and closeups.

If it’s a live event or performance, you’ll need a second camera for this. Set it up on a tripod where it can cover the whole action, start it and leave it running. Remember that SLR cameras can’t record very long clips, so if the event lasts longer than the maximum clip length you’ll need to use a camcorder instead.

If you’re cutting between




close-ups of two actors talking to each other, film the whole scene with the camera on actor 1, then move the camera round to face actor 2 and film the whole scene again. You can then cut between these two shots, and the cutaways and master shots, when you edit. You can use exactly the same technique for interviews. Remember to follow the rules of continuity so that the shots will work together Rehearsing.

NEXT PAGE

Monday, April 1, 2019

Filming your movie 1

The filming stage will be a lot easier if you’ve followed the planning guidelines first.
Shooting simple films
If you’re just shooting a record of a place or event you might not need to follow a storyboard or script. But you must have an idea of what you’re going to film, even if it’s just a simple shot list. Make sure you get a variety of shot sizes: extreme long shots to show the place, long shots and mid shots of people, and plenty of close-ups of people and things.

Ten shooting tips for beginner filmmakers
Are you ready to start filming?

You need to set up each shot carefully. You may need to move the camera to a different position to get the framing, the light and the background right.
•Check the framing. Make sure you don’t cut out anything important, and that you don’t include anything distracting or confusing.

•Check the light. Look at the shot in your viewfinder or on the screen. Does it look right? If it looks too bright or too dark, can you change the exposure? (set it manually or use exposure compensation).
•Check the focus. Is the shot sharp? If it’s a shallow focus shot, is the right part of the scene in focus?
•Check the sound. Get everyone to be quiet, then listen for half a minute. Can you hear anything that will come out on your film? Is there anything you can do about it? If you can, check the sound on headphones.
•Check that everyone’s ready. Say ‘Standby’ or just tell people that you’re about to start filming.
Getting everything you need
With actors or presenters, you’ll need to rehearse the scene a couple of times before you film it. Get them to run through the scene a couple of times, making any changes to their positions and performances. Then start to work out where to put the camera for each shot. This process is called blocking.

NEXT STAGE

Friday, March 29, 2019

Helpful articles on how to shoot a standard movie.

Powered by:Richstars entertainment productions
•Sound and lighting are very important: good audio (easily understanding the person speaking without hearing the photographer breathing, or street noise, for example) is critical. Good lighting makes the video/movie watchable. Excellent "budget lighting" includes: dusk or early morning, a foggy or overcast day, and shade (but only when there is a darker background.) A white poster board or tinfoil can be used to bounce light to the shaded side of the face. For night shooting use work lights. 
•If you don't have good lighting, try using your camera flash. To improve this, face your camera to a white wall so the light can bounce off and soften the shadows in your scene. 
•You don't necessarily need to plan every detail of the film. Just know the plot and the script, and a little additions aren't bad. Improvising can give the movie a more realistic and fresh look, if the actor does a good job with it. 
•It's a good idea to keep a journal full of future movie ideas that you come up with so that you can remember them and come back to them. 
Warnings
•Don't steal ideas when writing the script. Make sure the ideas are all your own and as original as possible.You do not have the budget that Hollywood does so the only way you can stand out is be unique. 
•If filming in an actual location that does not belong to you, such as a diner, ask the owner or a worker/manager for permission first. This would ensure that things are being done legally, the proper procedure is being followed, and to avoid any delays or complications with the shoot. Always get permission in writing so there are no questions later. 
•Child pornography is almost universally illegal, so actors under the age of 18 cannot be involved in on-screen sexual activities.
Things You'll Need in a full movie
A script
A storyboard
A film crew
Actors
Technical equipment
Locations to film
Funds
Director
Props
An editing program on a mobile device or computer
Multiple cameras (recommended)


How can I make money in the movie industry?

Powered by:Richstars entertainment productions
•Find ways to make your movie stand out and intrigue. You could achieve this through an unconventional story, or unique cinematography. 
Spice up your JOB with these helpful articles.

•Make sure to follow basic filming rules such as the rule of thirds (imagine the screen is split into vertical thirds and always have a focus point or vital character in the scene in the furthest left third), this makes it much more interesting. Rarely is a character in the very center of the screen and make the film look much more professional in the end. 
•Watch a lot of movies with a critical eye—not so much to critique acting or direction, but to understand tones, styles, how sound is used, how lighting is used. Look for errors, too: for the budding filmmaker, these are illuminating. When you're watching a movie at home, pull that movie up on IMDB. Near the bottom there is a section entitled "Did You Know?" that is loaded with trivia and goofs for virtually every film and TV show out there. 

•You can make high quality movies using cut for the iPhone and iPad. If you’re just starting out, use your iPhone or iPads camera and an editing app for great quality. 

•When you finish your movie, share it with the world. If it is a serious work, bring it to film festivals where it might be picked up. If it is a small, casual work, host it on the Internet for the world to view freely. They're both paths to different kinds of fame. 
•If you're shooting a documentary, you probably won't spend time developing a script or storyboarding. Instead, come up with an idea, and set goals for shooting such as what is the purpose of this film? What audience will it appeal to? What new perspective are you providing? Set out to capture as much footage as you can, and focus on the editing and other post-production processes (such as adding music). 

What should you keep in mind when choosing music for your film?

Powered by:Richstars entertainment productions
*Make sure your music is consistent to the story
Will the music be memorable and make people want to share or rewatch your film?
*Using the wrong music or soundtrack can ruin a scene or film.
*It can be difficult to distribute a film for commercial purposes if you don't own the rights to the music.
How old do you need to be to make a movie?
There is no age limit on making a move. The basis is ability, knowledge and access to equipment. If you feel capable of making movies, then you can start. Of course, your ability to make a good movie will take time but the earlier you start, the better for your future movie making skills. Start with YouTube and treat it as a big learning process
If my crew is small, should I still include them in the credits?
Yes, you should still give credit to all those who helped make your movie a reality.
What if I'm not old enough to make an account to upload videos?
You can put the video on a USB drive or a DVD and share it with your friends and family instead.
How do I show the world my movie?
All you need to do is buy a projector, a white sheet and something to hold the sheet up. At a local park, have a "movie night." Charge a small admission fee if you like, and if it's legal. Then, take a survey of what could be better. Once done finishing it up, buy DVDRs, burn discs of your video and try to sell it at local stores or online.
What if we don't have a green screen?
Hang up a bright, solid-colored sheet behind the actors. Make sure the color doesn't match anything in the scene. Light the sheet as evenly as possible from the left and right sides. Have the actors stand well in front of the screen to avoid casting shadows.
Can I make a movie at nine years old?
It doesn't matter what age you are, as long as you have time and equipment.
What if you don't have good lighting?
There is little point making a movie without good lighting, as the shots come out poorly, making it hard to watch. Viewers won't tolerate shadowy, blurred or dark movie images for long. Purchase or find good lighting, make use of daylight as much as possible and use tricks such as working in rooms with light wall colors, and sunshine streaming in. If you can't afford lighting, work outdoors more or check free donation sites and ask for lighting.
How do I come up with the plot?
You can get started with our script-writing instructions. If you're working on a big project, you might want to read books that explore the process in-depth, or take a creative writing course.
How can I find actors?
Actors can be found by placing an ad in a local newspaper or arts magazine or by reaching out to a local acting school.
Can I borrow music from other movies or albums?
No, this is considered plagiarism. You must first get the music source's permission to use the music, after which you probably need to give them credit.

When casting your film it is important to:

Powered by:Richstars entertainment productions
*Hire people who can do their own stunts and only go for big names
*Find the perfect looking actors and only get people who can work for free
*Test your actor's range and avoid scheduling conflicts.
*Find actors that can also do their own stunts and makeup.
*Part Five of Five:
*Filming and Editing
STEP: 1
Gather and test your equipment. At the very least, you'll need a video camera. You will probably also need a tripod — to mount the camera for steady shots — lighting equipment, and sound equipment. •Filming some "screen tests" would be a good idea. Give your actors the chance to practice while being filmed, and give the crew a chance to coordinate their actions.
STEP: 2
Plan meticulously. Keep track of which "take" is the best take for each scene, to help yourself in the editing process later. If you've got to comb through multiple missed takes and bad takes every time you want to find the scene you wanted, the editing process will be a drag. •Make sure everyone's on the same page at the start of each day for filming each scene. It can take a lot to get a whole cast, crew, and location appointment together at once, so it might help to write out and distribute an itinerary at the beginning of the process.
STEP: 3
 Film your movie. The decisions you make will result in the difference between a "home movie" or a professional looking movie. •Some people say to shoot multiple takes from multiple angles because it will be more interesting in the end, giving multiple options for the editing process. As a very general rule, professional filmmakers shoot each scene in a wide shot, medium shot and close up of important elements.
STEP: 4
Edit your film. Take your footage to your computer, upload the files, then log them, identifying what shots work. Put together a rough cut using these shots. The way that you edit your film drastically affects the way the film ends up looking and feeling. •Making jump cuts will hold the viewer's interest and set the tone for an action movie, but long, lingering shots have a powerful impact as well, but done badly this can be very boring. Consider the beginning of The Good, the Bad, and the Ugly.
•You can also edit to music, which is a fast and effective way of editing; you can also edit to music on a quiet section of the film, by choosing music which provides the right mood.
•Editing between various angles can quickly show multiple things going on in the same scene. Use your editing system's split or razor tool to create smaller clips from multiple shots, and then mix and match. You'll get the hang of it quickly, and with digital movie making, your mistakes are always saved by Undo.
STEP: 5
Sync sound effects and music. Make sure that your music flows with what is going on during the movie at that second, and that the live sound you recorded with the film comes through loud and clear. Re-record any parts that are important. •Remember that if you are planning on distributing a film using found music can cause problems, so it is best if you can get music specially composed for the film; plus there are many skilled musicians out there who would love to get experience.
STEP: 6
Create the title and credits sequences. You'll want to name your cast and crew at the end of the film. You can also include a list of "thank yous” to any organizations that were willing to let you shoot in their establishments. Most importantly keep it simple.
STEP: 7
Export the film to a digital format DVD. Make a teaser or trailer. If you want to promote your film online or in other theaters, select pieces of it for a promotional trailer. Don't give away too much of the plot, but do try to catch the viewer's interest. •Also don't forget to upload your movie to YouTube or Vimeo, or if your movie gets accepted into a theatre, don't upload the movie to YouTube as you won't make as much money on YouTube Vs. The box office, just uploads teasers and stuff like that, and don't forget to advertise other places than YouTube!

What do costumes, lighting, location and shooting style contribute to in your film?

Powered by:Richstars entertainment productions
*Production quality.
*The "look and feel" of the film.
*The film's success.
*They spark interest and make it easier to get actors or actresses involved.
Part Four of Five: Casting the Crew/Edit
STEP: 1
Choose someone to direct. The director controls the creative aspect of the movie, and is a key connection between the crew and the cast. If you have an idea for movie and know exactly how it should look and feel, it would be a safe bet that the director is you, but if your not good at directing people and you’re not comfortable bossing people around, then, you can take a different approach on directing or just hire someone else and try to give them the full picture. You'll cast the major players, oversee the filming, and offer creative input where you see fit.
STEP: 2
Choose a Cinematographer, or Director of Photography. This person is in charge of making sure the lighting and actual filming of the movie go smoothly, as well as deciding with the director how each shot should be framed, lit, and shot. He or she manages the lighting and camera crews, or operates the camera on a small film.
STEP: 3
assign someone the set design. This person is in charge of making sure the sets correspond with the director's creative vision. He or she might also be the props master (in charge of the items that fill the set). •Costume, hair, and makeup design could be in the same category on a very small production. On a large production, this person would choose (and maybe even sew) every costume used in the film. On smaller productions, this position is usually merged with another job.
STEP: 4
put someone in charge of sound and music. The sound man may be one or more people. Dialog needs to be recorded either in scene, or looped in later during production. Sound effects, like gunshots and grenades or an explosion, all need to be created; music needs to be sourced, recorded, and mixed; and foley (footsteps, leather creaks, plates broken, doors slamming) all needs to be generated. The sound also needs to be mixed, edited, and lined up with the video in post-production. And remember, the music doesn't have to be very loud, it can be quiet in a quiet scene to the point where people aren't focusing on it as it now just acts an aid to capture the scene.
STEP: 5
cast your film. People in your community might work for screen credits in low-budget films. Of course, it would be advantageous to have a well-known name starring in your movie, but learning to play to the strengths of the actors you do have will ensure that you've got a great filmed product. If you need a cop character in your film, call one up and ask if he'd be willing to film a couple scenes some afternoon. Just make sure that the movie doesn't involve anything illegal while the police officer is there, as this could not end well. If you need a college professor, contact the school.[8] •Test the range of your actors. If you know that one of them will have to cry in a sad scene, make sure he or she can do it before you contract for the project.
•Avoid scheduling conflicts. Make sure your actors can be available on-set when you need them.
•Be careful of stunts that may injure your actors.

What basic elements of storytelling do you need to include in your film?

Powered by:Richstars entertainment productions
*The protagonist's journey leaving home or arriving somewhere new.
*Every story should have love and tragedy.
*The hero's journey to self-discovering and acceptance.
*A beginning, middle and an end.
Part Three of Five: Thinking Visually Edit
STEP: 1
Develop an aesthetic for your film. Because movies are visual, it's a good idea to spend some time on the "look and feel" of the movie. Consider two films as an example: Matrix again, with its monochromatic, yellow-green tone throughout, which heightened the sense of being “digitized,” and A Scanner Darkly by Richard Linklater, which was rotoscoped and had a unique and memorable cartoon reality look to it. Here are some other areas to consider.
STEP: 2
Do you want your film to feature smooth, expertly-edited shots, or a rough, handheld camera look? It’s all there to do. For example, look at Melancholia by Lars von Trier; the opening scenes were shot with a super high speed camera, which renders as a fluid, graceful slow motion. Most of the rest of the movie is shot with a handheld, or “shaky cam,” setting the tone for the emotional and spiritual conflicts that ripple through the movie.
STEP: 3
Design the costumes and sets. How do you want the setting of your film to look? Can you film it in a real location, or will you have to build a set? The sweeping panoramas of the big screen epics of the 60s and 70s relied on a combination of wide open spaces and studio-lot sets. Scenes from The Shining were shot at a ski lodge in Oregon. Dogville was shot on a bare stage, with only suggestions of buildings as props. •Films rely heavily on the costumes to communicate essential character traits to the viewer. "Men in Black" is a key example.
STEP: 4
Consider lighting. Some movies feature soft, almost gauzy lighting that makes the actors and the sets look significantly more appealing, and the entire film more dreamlike; others favor a lighting style that looks closer to reality, and some people push the edges and go for a really hard light that is almost cutting.[7] Check out Domino with Keira Knightley.
STEP: 5
Dress the sets, or scout a location. If you're going to shoot on-location, find the area you want and make sure it's available for filming. If you're working on a set, start building and "dressing" (or adding props) them. •If possible, using actual locations is easier. Green screens can look very fake in certain locations but you can use one if you want. It's simpler to film in a diner than make a room look like one.

10 methods for telling in the event that your sweetheart is "spouse material''

 1. She isn't materialistic Its an obvious fact that numerous ladies love cash on the grounds that main with it could they at any point ...